Yes, Lady Gaga accepted her award for Video of the Year wearing an outfit made entirely of meat. The Jersey Shore kids, despite Snooki’s understated blowout, shaved designs into their hair and piled on as many diamonds as their abdominal muscles could support. Cher resurrected, and rocked, an outfit from the 80s. Katy Perry wore an outfit reminiscent of Lil Kim’s 1999 purple pasty disaster with just slightly more coverage. But the moment everyone was waiting for was Taylor Swift’s response to Kanye West’s interruption of her award last year. Second only to that was Kanye West’s new song, which we expected to be an apology of some sort. Since Swift has been known to write songs in which she skewers ex-boyfriends, her performance this year was expected to embarrass West. That was the result, but not because of Taylor Swift. It was because, despite anything that happens in the world, Kanye West can’t help but be himself, and that means showcasing what a giant jackass he is.

The moment that launched a thousand memes.
The beginning of Swift’s performance was expected: a video montage of West’s Hennessey-fueled interruption of her teary acceptance speech last year. But then the lights went down, and she began seated, strumming a guitar and singing a very sweet song. How disappointing for the blogosphere that she took the high road. Wearing an understated, painfully light pink dress and no shoes, she addressed the whole scandal by singing, “32 and still growing up now/Who you are is not what you did/You’re still an innocentâ€. She sang a song of forgiveness, and everyone, no matter how much they applauded or even wept, was a little bummed out that she didn’t compose lyrics that were tastefully mean. Now her squeaky-clean image squeaks all the louder. That doesn’t make for great headlines.
But then, eventually, Kanye West took the stage. While his set was uncharacteristically modest, he wore a fire engine-red suit and countless gold chains. His song “Runaway†was as close as he gets to an apology, but it really wasn’t one. It was, in that special Kanye way, all about him. His lyrics were just slightly less than sweet, saying, “I always find something wrong/You’ve been puttin’ up wit’ my **** just way too long/I’m so gifted at findin’ what I don’t like mostâ€. In Kanye World, that is self-deprecating. He then goes on to rap, “Let’s have a toast for the douchebags/Let’s have a toast for the a**holes/Let’s have a toast for the scumbags/Every one of them that I know…Run away as fast as you canâ€. It’s his universe, and he is who he is, so everyone who can’t take it should run away. His song did ring true in one way, when he said, “I’m young, rich, and tastelessâ€. But he didn’t indicate that he is sorry for staying in the company of dirtbags and people who feed his supersized ego. He just advised nice girls to stay away from him.
Awww….Pity Party for Kanye!
Or not. Apparently, when West got word that Swift would be singing a song about him, he pushed to meet with her before the VMAs started. The two met in her dressing room and “talked things outâ€. What Kanye West will never understand is that he can’t go toe-to-toe with someone like Taylor Swift. She will always be the sweet, beautiful, ethereal treasure and he will always be, well, Kanye West. Whether Swift meant this to be the best possible public relations move to secure her place as America’s Sweetheart, we may never know. But by writing a kind, tender song about forgiveness and change, she made Kanye look even nastier than before. Red might not have been the best color choice for someone going up against someone perceived as an angel.
Well played, Taylor Swift. Well played.








